Showing posts with label The Romantic Age. Show all posts
Showing posts with label The Romantic Age. Show all posts

Saturday, 24 January 2026

JANE AUSTEN'S PRIDE AND PREJUDICE


Pride and Prejudice is one of the most popular novels in the English language. Over 200 years after its publication, it continues to win the hearts and minds of readers around the world, thanks to its delightful heroine, unforgettable cast of comic characters, witty dialogue, and satisfying romantic plot.

Read here.


Sunday, 4 January 2026

BRIGHT STAR - 5^C LINGUISTICO


 

"Bright Star" is a sonnet written by the Romantic poet John Keats as a homage to his beloved Fanny Brawne. 

It is primarily made up of two analogies. The first analogy is a negative one, where the poet describes the aspect of the star that he doesn’t wish to resemble. The second analogy is a positive one, where the poet explains the aspect of the star that he aspires to be like — namely, steadfast loyalty to his beloved.

https://www.eminentediting.com/post/bright-star-by-john-keats-analysis

Thursday, 18 December 2025

LORD BYRON - 5^C LINGUISTICO


George Gordon Noel, 6th Baron Byron (1728-1844) with his aristocratic behaviour, personal charm and unquestionable beauty stands out as a rock star poet and the prince of passionate people’s perceptions during the so-called Regency era in England (1792 – 1830).  
He is an immense poet, combining the best of Augustan wit and intellect with the best of sensuously and politically charged Romanticism. 
Lord Byron was described in his own time as ‘a child of passion and the fool of fame‘.



Monday, 15 December 2025

JANE AUSTEN'S 250TH BIRTHDAY

 

Jane Austennovelist, observer of human nature, and enduring voice of wit, romance, and social insight, was born in Steventon, Hampshire, England on 16 December 1775 and birthday celebrations have been taking place across the United Kingdom and the United States for months.  Here are some ways to celebrate the birth of one of England's most beloved authors.

Why we love Jane Austen more than ever after 250 years

Why I Love Jane Austen (And Why You Should Too)


Sunday, 14 December 2025

JANE AUSTEN AND THE NOVEL OF MANNERS - 5^C LINGUISTICO

Jane Austen’s novels are unrivalled for their success in combining two sorts of excellence that all too seldom coexist. Meticulously conscious of her artistry, she is also constantly attentive to the realities of ordinary human existence. From the first, her works unite subtlety and common sense, good humour and acute moral judgment, charm and conciseness, deftly marshalled incidents and carefully rounded characters.

Jane Austen’s critics have spoken of her as a “limited” novelist, one who, writing in an age of great men and important events, portrays small towns and petty concerns, who knows (or reveals) nothing of masculine occupations and ideas, and who reduces the range of feminine thought and deed to matrimonial scheming and social pleasantry. Read here

Thursday, 16 October 2025

ROMANTICISM - 5^C LINGUISTICO


"The heart is the only true source of art, the language of a pure, child-like soul. Any creation not sprung from this origin can only be artifice. Every true work of art is conceived in a hallowed hour and born in a happy one, from an impulse in the artist's heart, often without his knowledge."
Caspar David Friedrich

Romanticism (also known as the Romantic period) was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the period from 1800 to 1850. It was partly a reaction to the Industrial Revolution, the aristocratic social and political norms of the Age of Enlightenment, and the scientific rationalisation of nature.
Here you can find my previous posts about Romanticism.

Saturday, 26 October 2024

THE GOTHIC NOVEL

The first Gothic fiction appeared with works like Horace Walpole’s Castle of Otranto (1765), Ann Radcliffe's The Mysteries of Udolpho (1794) and Matthew Gregory Lewis’ The Monk (1796), which opposed 18th-century “rationalism” with scenes of mystery, horror, and wonder. Gothic was a designation derived from architecture, and it carried connotations of rough and primitive grandeur. 

The atmosphere of a Gothic novel was expected to be dark, tempestuous, ghostly, full of madness, outrage, superstition, and the spirit of revenge.  Mary Shelley’s Frankenstein, which maintains its original popularity and even notoriety, has in overplus the traditional Gothic ingredients, with its weird God-defying experiments and its monster. 

Easy targets for satire, the early Gothic romances died of their own extravagances of plot, but Gothic atmospheric devices continued to haunt the fiction of such major writers as the Brontë sisters, Edgar Allan Poe, Nathaniel Hawthorne, and even Charles Dickens in Bleak House and Great Expectations. In the second half of the 20th century, the term was applied to paperback romances having the same kind of themes and trappings similar to the originals.

Gothic fiction asks to be considered as ingenious entertainment; the pity and terror are not aspects of a cathartic process, but transient emotions to be enjoyed for their own sake.

Read here.

https://research.dom.edu/gothicliterature/historyandkeyelements

https://www.invaluable.com/blog/elements-of-gothic-literature/

Friday, 27 October 2023

WILLIAM BLAKE - 5^C LINGUISTICO


"The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity ... and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself."

William Blake (1757-1827) is one of the key figures of English Romanticism, and some of his poems are universally known thanks to their memorable phrases and opening lines. Read here.

"One thought fills immensity."
William Blake 

https://www.thehistoryofart.org/william-blake/poetry/

Tuesday, 22 November 2022

LA BELLE DAME SANS MERCI ~ 5^C LINGUISTICO


O what can ail thee, knight-at-arms, 
       Alone and palely loitering? 
The sedge has withered from the lake, 
       And no birds sing. 

O what can ail thee, knight-at-arms, 
       So haggard and so woe-begone
The squirrel’s granary is full, 
       And the harvest’s done. 

I see a lily on thy brow, 
       With anguish moist and fever-dew, 
And on thy cheeks a fading rose 
       Fast withereth too. 

I met a lady in the meads
       Full beautiful—a faery’s child, 
Her hair was long, her foot was light, 
       And her eyes were wild. 

I made a garland for her head, 
       And bracelets too, and fragrant zone; 
She looked at me as she did love, 
       And made sweet moan 

I set her on my pacing steed, 
       And nothing else saw all day long, 
For sidelong would she bend, and sing 
       A faery’s song. 

She found me roots of relish sweet, 
       And honey wild, and manna-dew
And sure in language strange she said— 
       ‘I love thee true’. 

She took me to her Elfin grot
       And there she wept and sighed full sore, 
And there I shut her wild wild eyes 
       With kisses four. 

And there she lulled me asleep, 
       And there I dreamed—Ah! woe betide!— 
The latest dream I ever dreamt 
       On the cold hill side. 

I saw pale kings and princes too, 
       Pale warriors, death-pale were they all; 
They cried—‘La Belle Dame sans Merci 
       Thee hath in thrall!’ 

I saw their starved lips in the gloam
       With horrid warning gaped wide, 
And I awoke and found me here, 
       On the cold hill’s side. 

And this is why I sojourn here, 
       Alone and palely loitering, 
Though the sedge is withered from the lake, 
       And no birds sing.
John Keats 
Here you can find an analysis of this handsome ballad which is considered an English classic. It is a narrative of an encounter that causes both pleasure and pain. It avoids simplicity of interpretation despite simplicity of structure. Composed of twelve stanzas, of only four lines each, with a simple ABCB rhyme scheme, the poem is full of enigmas, and has been the subject of numerous interpretations.
Read here.

Wednesday, 19 October 2022

WILLIAM WORDSWORTH - 5^C LINGUISTICO

Image result for wordsworth quotes

Here you can find my previous post about William Wordswortha major English Romantic poet, well-known for his celebration of nature.

Monday, 26 September 2022

THE ROMANTIC AGE - 5^C LINGUISTICO

The Romantic period began roughly around 1798 and lasted until 1837. The political and economic atmosphere at the time heavily influenced this period, with many writers finding inspiration from the French Revolution. There was a lot of social change during this period. Calls for the abolition of slavery became louder during this time, with more writing openly about their objections. After the Agricultural Revolution people moved away from the countryside and farmland and into the cities, where the Industrial Revolution provided jobs and technological innovations. Romanticism was a reaction against this spread of industrialism, as well as a criticism of the aristocratic social and political norms and a call for more attention to nature.

Click here to read my previous post about the Romantic Age.

Sunday, 12 December 2021

READING MARY SHELLEY'S FRANKENSTEIN


Mary Shelley's famous Gothic novel is considered a landmark work and every decade brings a new interpretation. Here is a selection - some include plot details,
Read here.


Wednesday, 17 November 2021

WILLIAM WORDSWORTH - 5^D LINGUISTICO


Here you can explore the Wordsworth Museum which is next door to Dove Cottage  - it was in this little cottage, at times "crammed edge full" with people, in the heart of the remote Lake District, that William Wordsworth wrote some of the greatest poetry in the English language.

Monday, 18 October 2021

THE ROMANTIC SPIRIT


The Romantic period was largely a reaction against the ideology of the Enlightenment period that dominated much of European philosophy, politics, and art from the mid-17th century until the close of the 18th century.  Whereas Enlightenment thinkers valued logic, reason, and rationality, Romantics valued emotion, passion, imagination and individuality. Chris Baldick provides the following description: “Rejecting the ordered rationality of the Enlightenment as mechanical, impersonal, and artificial, the Romantics turned to the emotional directness of personal experience and to the boundlessness of individual imagination and aspiration.” Read here.


Saturday, 19 June 2021