Oscar Wilde was a declared  aesthete (= someone who loves and
appreciates works of art and beautiful things) who
professed  his views  both in his  works and way of life. His
extravagant look and public behaviour aimed at defying the self-satisfied respectability and cheap taste of the Victorian middle and upper classes,
their prudery (=moralism) regarding morals, sex, art and their obsession  with status
and  money. His views were strongly influenced by  the art critic
William Pater, who asserted  the priority of  art and beauty  in
individual  and  social life  and the independence of art
from  any   moral, political or utilitarian  purpose, that
is  the aesthetic doctrine of "art for art's sake"  (i.e.,
art has no aim but its own  perfection).        
                     
               
Such devotion to the aesthetic-decadent creed was counterbalanced by
 the  moral concern,  present  in  all his
works,  exposing  contemporary evils.  In fact,  his
comedies are only apparently superficial, as they make fun of Victorian
moralism (=strictness and austerity especially in matters of religion or conduct), hypocrisy and prejudices in a light, witty  style. Oscar Wilde
possessed a deep sense of humanity and  he developed great concern for the outcast, who were secluded from the safe and optimistic world of
rich Victorians; the terrible experience of imprisonment - he was  arrested for “gross indecency with men,” a charge for which he was
convicted and sentenced to two years in prison - made his sympathy
more intense, as emerges from the long poem The
Ballad of Reading Gaol (1898), which contains some very touching
lines.  Between January and March 1897,
close to the end of his imprisonment, he wrote De  Profundis, a long letter addressed
to his lover, Lord Alfred Douglas, published posthumously in 1905. Oscar Wilde
spent the last three years of his life in exile. He died at the age of 45 and
was buried in Paris.
A contradictory  personality  and versatile (=skillful) artist, Oscar
Wilde never enjoyed much favour among contemporary  critics. Only in the
course of the 20th  century  he came to be considered  an
outstanding  man of letters for the sharp analysis of his time, the
skillful (= masterly)  use of the most  different  genres and his brilliant
style.

 

