Wednesday, 8 August 2018

WILLIAM TURNER

Image result for turner citazioni MOSTRA A ROMA

Image result for turner citazioni MOSTRA A ROMA

Joseph Mallord William Turnerknown as J. M. W. Turner and contemporarily as William Turner, was an English Romantic landscape painter whose expressionistic studies of light, colour and atmosphere were unmatched in their range and sublimity. Read here.

Turner took classical genres and scenes - the stately landscape in well-designed compositions and historical events - and infused them with a new dynamic in painting. He reflected on the increasing importance of individual experience in the era of the Enlightenment, where the perceptions of human beings led to exalted personal moments and sublime interactions with nature. Through this dedication to rendering heightened states of consciousness and being, he helped define the cross-disciplinary artistic movement of Romanticism, setting the stage for later developments in painting subjective experiences that would lead to Impressionism. In some of his later works especially, Turner responded to the arrival of the modern era by making the contraptions (= tools, devices) of human invention powerfully, sometimes threateningly, present. Read here
Turner, as well as Wordsworth created embodiments of Burke's descriptions of the sublime that make explicit his notion of a subjective, experiential world. Read here
On show for the first time in Rome, a collection of exclusive works by the British artist, from 22 March to 26 August 2018 at the Chiostro del Bramante.  The exhibition includes more than 90 works, counting sketches, studies, watercolours, drawings and a selection of oils never shown before in Italy, all displayed in chronological order to document the evolution of Turner's style.
The exhibition reflects a more intimate side of Turner’s works that were in a private collection until donated to England and given to maintenance at the Tate. Many of the works on display come from the artist's personal studio and were created over the years for his "own delight", according to critic John Ruskin. They show a narrative of his emotions and places he visited during his habitual working method, which was to work for six months outside while travelling open air during the summer and in winter, working from memory.


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